The Future Francis Beaumont

Auteurs-es

  • Eoin Price Swansea University

DOI :

https://doi.org/10.12745/et.20.2.3340

Mots-clés :

Beaumont, Fletcher, performance history, reception history

Résumé

This essay attends to Beaumont’s recent performance and reception history, documenting a range of academic and popular responses to demonstrate the challenges and affordances of engaging with Beaumont’s plays. The first section examines several twenty-first century performances of Beaumont plays, focusing especially on the Globe’s stimulating production of The Knight of the Burning Pestle. The second section considers how Beaumont was both acknowledged and ignored in 2016, the year of his 400th anniversary. The final section suggests some avenues for further research into the performance of Beaumont’s plays. 

Biographie de l'auteur-e

Eoin Price, Swansea University

Eoin Price (eoin.price@swansea.ac.uk) is a lecturer in English literature at Swansea University. He is the author of ‘Public’ and ‘Private’ Playhouses in Renaissance England (Palgrave, 2015). He is the Welsh representative for the Society of Renaissance Studies and the theatre editor for the Marlowe Society of America Newsletter.

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Publié-e

2017-12-15

Numéro

Vol. 20 No. 2 (2017)

Rubrique

Issues in Review Essays

Licence

Contributors to Early Theatre retain full copyright to their content. All published authors are required to grant a limited exclusive license to the journal. According to the terms of this license, authors agree that for one year following publication in Early Theatre, they will not publish their submission elsewhere in the same form, in any language, without the consent of the journal, and without acknowledgment of its initial publication in the journal thereafter.

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