Robert Mullally. <em>The</em> Carole<em>: A Study of a Medieval Dance</em>. Aldershot: Ashgate, 2011.

Most read articles by the same author(s)

• Emily F. Winerock, Book Review: Barbara Ravelhofer. The Early Stuart Masque: Dance, Costume, and Music. Oxford: Oxford University Press, 2006. , Early Theatre: Vol. 11 No. 1 (2008)

Similar Articles

• Brent E. Whitted, Staging Exchange: Why The Knight of the Burning Pestle Flopped at Blackfriars in 1607 , Early Theatre: Vol. 15 No. 2 (2012)
• Andrew Brown, Theatre of Judgment: Space, Spectators, and the Epistemologies of Law in Bartholomew Fair , Early Theatre: Vol. 15 No. 2 (2012)
• Alan Andrews, Alden T. & Virginia Mason Vaughan. Shakespeare in America. Oxford: Oxford University Press, 2012. Pp xii, 220. , Early Theatre: Vol. 16 No. 1 (2013)
• Alexandra S. Ferretti, 'This place was made for pleasure not for death': Performativity, Language, and Action in The Spanish Tragedy , Early Theatre: Vol. 16 No. 1 (2013)
• Laura Estill, New Contexts for Early Tudor Plays: William Briton, an Early Reader of Gorboduc , Early Theatre: Vol. 16 No. 2 (2013)
• James H. Forse, Advertising Status and Legitimacy: or, Why Did Henry VIII's Queens and Children Patronize Travelling Performers? , Early Theatre: Vol. 16 No. 2 (2013)
• Wendy Beth Hyman, ‘For now hath time made me his numbering clock’: Shakespeare’s Jacquemarts , Early Theatre: Vol. 16 No. 2 (2013)
• Louise Rayment, A New Context for the Manuscript of Wit and Science , Early Theatre: Vol. 17 No. 1 (2014)
• Philip D. Collington, ‘A Mad-Cap Ruffian and a Swearing Jack’: Braggart Courtship from Miles Gloriosus to The Taming of the Shrew , Early Theatre: Vol. 19 No. 1 (2016)
• Noémie Ndiaye, Aaron’s Roots: Spaniards, Englishmen, and Blackamoors in Titus Andronicus , Early Theatre: Vol. 19 No. 2 (2016)

<< < 13 14 15 16 17 18 19 20 21 22 > >> 

You may also start an advanced similarity search for this article.